Today, we’re going to explore a few key techniques that will hopefully save you a ton of time and allow you to quickly get professional (and satisfying) results from your synth bass sounds. The basic trick is to use a synth with multiple oscillators and detune them to create the syrupy thickness of the sound. What follows is an exploration of the synths used by Devo, and the studio techniques they used from the late 1970s into the early 1990s. Over the past 60 years or so, the synthesizer has evolved to become the tool of choice for creating low-end excitement in everything from pop music to underground dance music to film scores. If you have questions about any of the products mentioned in this article or if we can help further, call your Sweetwater Sales Engineer at (800) 222-4700 today! One of the most sought after sounds in electronic music production … But programming your own bass synth sounds with plugins is difficult and time-consuming—especially if you’re just getting started with synthesis. Either way, a sub oscillator will add much depth and roundness to a bass sound. u-he Diva. Sometimes you’ll hear a fat monophonic bass that glides between notes. A typical bass line with occasional short connected (legato) notes . All about pitch bends and moving between octaves. It’s unique because the TR-808 is actually an analog synthesizer designed for drum sounds. SYNTH BASS. Whether it’s a powerful sustaining sine wave, a snarling sawtooth, or a bouncy plucked rhythm that makes you want to dance, a well-mixed bass synth can make or break a track. var abkw = window.abkw || ''; One of the best analog emulations you can get in software, Diva's amazing sound … Ever wondered how Hillsong Young & Free creates their synth bass sounds? Get the ideas, tools and tips you need to grow your sound straight to your inbox. The free bass synth loops, samples and sounds listed here have been kindly uploaded by other users. Here’s an easy to follow guide to building a Reese bass: Wobble bass is the signature sound of dubstep and its related genres. Translation of guitar techniques. The SY-1 transforms any guitar or bass into a versatile synthesizer that’s fun, inspiring, and ready to play. Stacking Synth Basses. Sure, stacking thirteen oscillators and adding several effects can add width and interest to a bass sound, but these techniques can introduce phase relationships that significantly degrade the power and consistency of your bass. play with delay time and send levels. Creating punchy synth bass sounds relies heavily on the combination of harmonics you create at the oscillator stage and on how you shape those timbrally at the filter stage. Learn Synth-bass skills by watching tutorial videos about Vital Explored, Polymer Explored, Guitar Rig: Amps and Effects Explored, Sound Design, Synthesis and Sampling, More Logic Pro All Star Tips … Helm. The Line 6 Helix has been a huge hit with guitar players, but these tips show how Helix can provide creative options for bass — live or in the studio. Even so you can make plenty of important synth bass tones if you understand how they work. Check the video below (and have your studio monitors cranked up) to hear what Monofilter does to tighten up your sub-bass. Unfortunately, applying any kind of effect to a bass sound is likely to add inconsistency to the low-frequency content, making it sound less solid. "Welcome back to “Sequential Synth Tips,” where some of our favorite artists share their tips, tricks, and techniques on Sequential synths! This means playing C2 and C3 simultaneously, instead of just C2 or C3 alone. It allows you to use mid-side processing and also gets you into phase correction — little tasks that have a huge effect on the quality of a mix. SigMod is really a must-have for any electronic musician or mix engineer. on the Prophet-6 keyboard. Adding delay to bass Changing absolutely nothing besides the wave shape (saw and square for sounds with high- and mid-frequency interest; sine for unapologetic sub-bass), the filter cutoff and resonance, and the amp and filter envelopes, you can call up thousands of bass sounds that are used on innumerable recordings. The wobbly character of the sound is created using aggressive modulation from an LFO or envelope connected to the synth’s filter or VCA section. there are other "fake stereo" techniques that are mono compatible though try this: send your mono synth to a bus with a short delay (10-30ms) and invert one of the channels on the send bus. By a short delay time used on DDLY multiband processing is one route to take searching! 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